AC/DC's The Young Brothers-An Excerpt From The Great Pumpkin Letters - Music

Chief Crazy Captain Christo does take time to think about the impact AC/DC has already established on The World. The Good Chief has arrive to the final outcome that whatever stadium or Tree House he is going to have built needs to remember the sheer power of AC/DC. By a straightforward Twist of Fate, he chooses to use his transformational powers and obtain all the males from AC/DC to come back to the Says and help deadicate a Tree House within their honor. We interrupt his transformation of the Band in it's entirety. To help create this piece, you have to read with an accent. As you might or may not know, the entire band includes five players. In this piece, the bass player and the drummer aren't yet onstage so their titles are withheld to safeguard their personal privacy. Shhh! On with the transformation. The players onstage at that time are Malcolm Youthful- Guitar, Angus Youthful- Guitar and Brian Johnson- Vocalist.

They are shredding through audio check when they appeared up in the sky. Something that could just be referred to as O-RANGE appeared before the band. Without missing a beat ( difficult to do without a drummer!) the Band tore into FOR ALL THOSE About To Rock. The shear magnitude of the O-Range Light blinded the males even though these were wearing sunglasses. As if on cue, Malcolm, Angus and Brian stopped and viewed the approaching and speaking O-Range Blob of Light. ANYO, have you any orange prospects yo? And with that the O-Range Blob that is Chief Crazy Captain Christo departed back again to the Claims. Thrilled with getting to AC/DC, Chief Crazy Captain Christo recognized that he must organize a SEARCH party to discover construction professionals in the States. The O-Range Blob that is Chief Crazy Captain Christo should never only construct the Tree Home but also instruct the substantial undertakers of the project on where to meet. Stay tuned! It has been another installment of The Great Pumpkin Letters. Moving directions to Omaha!

It's even more of a functionality poetry piece of some kind. But I have no idea what kind. GARCIA: Mickey has done lots of things of the type you mean. He's performed a phone album. He's performed a bug album that's hilarious; it offers all these songs about insects, the war on insects. WEIR: He had big plans for that one! GARCIA: Mostly, we're always from the road operating, because we earn our living by playing. Therefore we haven't had much of the luxury where you just go into the studio for no particular reason to screw around. WEIR: There's tape someplace of Mickey playing someone's head! That is evidently the same Fire and Ice Ltd. They're thought to be the same group that did the backing music for the LSD album. Sometime in the fall of 1971, Bob Weir produced a tape of acoustic demos for Ace, which I think David Gans performed on one of the KPFA marathons years back.

The early takes are instrumental - the purpose was probably to greatly help Barlow write lyrics for the songs. The demos are all just Weir on an classical guitar; it appears like Barlow can be taping him. 2 will take; the second provides Weir vocalizing the melody. 2 requires; Weir vocalizes a melody in the next take. This tune was apparently abandoned. Cassidy - 2 requires; again, the second take has a vocal melody, but no terms yet. Dark Throated Wind - Weir sings the first verse, then stops. Several other songs on Ace have been performed by the Dead in 1971; the main one new song not really on this demo tape is certainly Looks Like Rain, so maybe it was written afterwards. Guitar gear Geek Videos takes of Seasons of My Heart from September 1969, with Constanten on organ & Garcia on pedal steel. Weir, Lesh & Garcia practice the harmony vocals. Up to now, no other details is known about this program. It's still unidentified what else was rehearsed, and if it was an actual studio program or a regular Dead rehearsal that happened to be taped. Made a few corrections to the post. Bear's home in LA, February 1966: /Hi Heel Sneakers, Viola Lee Blues.

9/12/68 Pacific Recording: Clementine (extensive requires) with TC(?) on organ, a guest guitarist & Phil on vocals, and then a wild jam. One of the most interesting and revelatory studio tapes by much. 3/9/66 - an unidentified Pigpen R&B initial; Who Do YOU LIKE; weird modal jam. Cryptical that goes over 20 minutes before cutting off. Not as intense mainly because a live show, but some nice jams in this one, and the 1st known performances of some of the Aoxomoxoa tracks. I imagine preparing for the 16-monitor recording for Live/Dead at the Avalon prompted this lengthy soundcheck/practice. Phil teases Dark Celebrity by the end of the Eleven, but unfortunately they don't play it. They don't really fully remember Born Cross-Eyed, but it's still a treat to listen to a '69 efficiency.